martedì, 12 maggio 2009

The Sibylline Prophecies

The Sibyls occupy a conspicuous place in the traditions and history of ancient Greece and Rome. Their fame was spread abroad long before the beginning of the Christian era. The original Sibylline Books were closely-guarded oracular scrolls written by prophetic priestesses (the Sibylls) in the Etruscan and early Roman Era as far back as the 6th Century B.C.E. The High Priestess is the card of knowledge, and of female spiritual power, instinctual, and secret knowledge. She holds scrolls of arcane information, and she might reveal the secrets you need to know if you are ready to receive such information.

from Literatarot Oceania

www.museodeitarocchi.it/459.htm

Ronnie Wiblin

postato da: museodei alle ore 13:48 | Permalink | commenti
categoria:02 - the high priestess
venerdì, 10 aprile 2009
LA_PAPESSA A  particularly valuable work is born by the inspiration of the artist Gioia Giorio, that for the Museum of Tarots has published The Game of Tarot: The Major Arcana.

This is a special art edition de luxe of 22 engravings dedicated to the Major Arcana. The intention is to create a valuable series of editions of Art, in 100 numbered copies signed in original, which is an important element for specialized collectors , but also for those who love the art of tarot.

The artist writes about his work: "the choice of images is deliberately ironic, because a spirit a little wag led me,  but it is faithful to the meaning that these ancient symbols have completed iin me. In the profile of each tarot I have not always considered appropriate to explain in detail all the details, leave room for personal interpretation, in respect of insight and sensitivity of everyone. "
postato da: museodei alle ore 11:41 | Permalink | commenti
categoria:tarot decks of museo dei tarocch
domenica, 05 aprile 2009
This book while mainly in Italian, has the important sections translated into English by co-writers, Morena Poltronieri and Ernesto Fazioli, with certain sections edited by Arnell Ando. The English portion of the book begins with the mysterious origins of the Tarot, bringing many possible cultural influences to the table, beginning with the probable invention of playing cards in China. Some intriguing influences that are considered include India, Egypt and other such hypotheses. The history of Tarot cards in Italy is also discussed at length. The individual Major Arcana cards are described in detail, however there is no card image of each Major Arcana together with the corresponding text as is usually found in such descriptions. This would have been useful, however there are plenty of examples of the Major Arcana cards towards the back of the book (albeit, small and some more traditional in nature than others.) Next a few basic Tarot spreads (which are familiar to most readers) are depicted, but if you need to see diagrams, you'll want to look on pages 56-58 in the Italian portion of the book.
alla corte dei trionfi
A fascinating section describes what scents and flavors connect with the essence of each Major Arcana. The Emperor, for instance reads as follows; The Solemn cinnamon consecrated by the Sun, a divine plant on a par with incense, of myrrh and other ritual aromas. The male essence of this card fuses with the flavor of liquorices, the symbol of masculinity and luck.

Each Italian and international correspondent writes about their personal connection to Tarot as well as the path that lead them to the Tarot Museum, including Fern Mercier who co-hosted the LiteraTarot Oceania, Swati Prakash, of India (host of LiteraTarot Asia) and Arnell Ando (host of LiteraTarot America). All the artists featured in the book and in the various decks published by Hermatena are listed in the appendix.

There is also a section about the Museo Dei Tarocchi itself, highlights of the surrounding area and how to arrive by car or train. It would have been nice if there were more photos of this magical place, besides the one on the cover, but Morena Poltronieri explained that they had to follow the parameters set by the Ministry of Culture, while she promised this is only volume one, with much more to come, including photos of this incredible international Museum of Tarot.

This is a good book to have as a reference for Tarot collectors, scholars and those interested in reading alternative descriptions of the Majors, and for viewing a colorful portfolio of the many wonderful decks so far published by Museo dei Tarocchi.
Arnell Ando
www.arnellart.com/museodeitarocchi/msdk26.htm
postato da: museodei alle ore 09:05 | Permalink | commenti
categoria:news from the museum
venerdì, 03 aprile 2009
tarocchi burattiniIn the Tarot Burattini the traditional puppets of Riccardo Pazzaglia represent the cards of the Major Arcana. Riccardo, after having finished its completion with the Bolognese Master puppeteer Nino Presini from 1991, starts an interesting artistic journey whose primary goal is the rebirth of the classic puppet theater. He founded the Society Puppets of Riccardo of which is the head of comic. This important work on the tarot cards and puppets, the world's first of its kind, was inspired by Milena Fantuzzi,  theater actress. His valuable work does not stop at acting in shows, but some of these shows were created by Milena. By Riccardo ensure the entire management of the company. Their Museum Collection collects all the puppets of Riccardo and the entire 2007 Presini collection and it is just called  Fantuzzi Pazzaglia, Milena was the inspiration for these new activities.tarocchi burattini
The Tarot Burattini tell us the ancestral symbols and hidden meanings of the 22 Major Arcana in a path through which the characters act and interact in the Bolognese Puppets Tradition
The Puppet embody the symbol part of the same with their peculiarities, sustained in the representation choice, the classical symbolism of the Tarot of Marseilles. The Arcana may be ideally placed in numerical order in the shape of a wheel, the generatie circle, a symbol of perfection, we can really understand how all the characters are a unique character: the Man as such, the Creature of unspeakable value brings all the infinite potential represented by the entire circle and unrestricted facets found in every puppet ... a diamond that changes the brightness each time, depending on the light that strikes it.
postato da: museodei alle ore 14:01 | Permalink | commenti
categoria:tarot decks of museo dei tarocch
mercoledì, 01 aprile 2009
The central character in ‘The Secret Garden’ by Frances Hodgson Burnett is Mary Lennox. An orphan, she comes to Misselthwaithe Manor with a pale and sour demeanor. The Manor and her often absent uncle, are remote and strange to her. Through her wits and keen curiosity she discovers her sickly cousin Colin hidden away in the house, and soon realizes her inner reserves of strength to inspire and begin the healing process for them both. But Mary had first discovered a forgotten garden and met the boy from the wild moors, Dickon Sowerby. He not only shows Mary that the dismal and sad garden can be brought to life, but also acts as a catalyst for change for both Mary and Colin.

LITERATAROT_MAGICIAN_LESLIEMary first hears stories of Dickon from his sister Martha the housemaid of the Manor. She is entranced by tales of Dickon running wild on the moors all day, with birds and other animals as his playmates. Animals play a key element in this story, as powerful emissaries from the wild world; helpers to the children who are by degrees removed from it. There’s the robin, who first led Mistress Mary to the long buried key. Once the gate is unlocked the story of the garden and those who are touched by it unfolds. The neglected earth seeded with magic, soon thrives with attention. Dickon has a crow named Soot and the fox ‘Captain’ is never far from his side. He tells Mary that "Sometimes I think perhaps I'm a bird, or a fox, or a squirrel... and I don't know it.” This statement reveals Dickon as shaman, keeping deep ties to the naturalistic realms.

This quote from the book describes the garden’s transformation from gray and seemingly dead to green and vibrant:

“The garden had reached the time when every day and every night it seemed as if Magicians were passing through it drawing loveliness out of the earth and the boughs with wands.” 

I love the idea of Magicians “passing through” dreamily waving their wands, leaving sunlight, sound, color and scents of blooming roses in their wake. All those many Magicians are embodied in the character of Dickon, the original; the moorland version of Pan, with the power to charm both animals and people. Mary clearly thinks of him as a Magician and is strongly attracted to him. For all his sunny-ness and friendly ‘down to earth’ manner, he is a powerful force; magnetic and mysterious. Even though the garden is first discovered by Mary, it is hard to think of its re-incarnation without Dickon. Mary has the desire, and later Colin - the will. But it’s Dickon, with his woodland and moor-land knowledge of plants and animals, wind and weather that marshals all the forces of nature to channel the magical creative process.

Notes on the card: A still frame of Dickon Sowerby, the Yorkshire sun illuminating his straw hat, surrounded by an arbor of morning glories and his animal familiars…….

The 4 elements are represented on the card: earth and water, air (pale blue sky) and fire (sunlight). The coins suit is nicely illustrated in the actual story. Dickon buys seed packets at the seed house in Thwaite, Yorkshire, with the coins that Mary gives him. I named the establishment ‘Burnett’s seed house, in honor of the author, and chose the mysterious moonflower, sunflower, and of course ‘heather’ in honor of Dickon’s beloved wild moors. A leafy branch signifies wands. Mary once thought a dried woody plant was lifeless, but Dickon showed how green still flowed just beneath the surface of the bark:

He knelt and with his knife cut the lifeless-looking branch through, not far above the earth.

“There!” he said exultantly. “ I told thee so. There’s green in that wood yet. Look at it.”

The other 2 suits are imagined as part of the Secret Garden. The little rock fountain, flowing with pure spring water gathers in a little pool, representing the suit of cups.   Sword ferns peak out from the cracks among the rocks. Robin, fox and a tiny garden spider join Dickon, as well as Soot the crow portrayed as the keeper of the key to the Secret Garden gate.

Leslie Cochran

postato da: museodei alle ore 17:46 | Permalink | commenti
categoria:01 - the magician
sabato, 28 marzo 2009

Published by Museo Dei Tarocchi - Hermatena

List of artists with their literature and card choices

(with additional notes in English and the author's country of origin when available)

0 - Matto/Fool: Maria Grazia Martina - Rosso Malpelo by Giovanni Verga (Italian Novel)

I - Bagatto/Magician: Tiziana Bertacci - L’immortale di Borges (The Immortal by Jorge Luis Borges, writer and poet of Argentina)

II - Papessa/High Priestess: Emma Campo - Teodora di Paolo Cesaretti (Teodora - the Rise of an Empress, by Paul Cesaretti, Italy)

III - Imperatrice/Empress: Morena Poltronieri - Diario di Etty Illesum (Diary of Etty Illesum, a writer from the Netherlands who died in Auschwitz, November 1943)

IV - Imperatore/Emperor: Angela Maltoni - Cuore di tenebra di Conrad (Heart of Darkness, a novel by Joseph Conrad, published in 1899, Poland)

V - Papa/Hierophant: Pasquale Barile - Elogio alla Follia di Erasmo da Rotterdam (Praise to Madness by Erasmo of Rotterdam)

VI - Amanti/Lovers: Ernesto Fazioli - Cime Tempestose di Emily Bronte (Wuthering Heights by Emily Bronte, 1847, England)

VII- Carro/Chariot: K. Frank Jensen - On the road di Jack Kerouac (On the Road by Jack Kerouac, published 1957, U.S.)

VIII - Giustizia/Justice: Gabriele Caroli - S.C.U.M. di Valerie Solanas (S.C.U.M. Manifesto by Valerie Solanas, 1968, U.S.)

VIIII - Eremita/Hermit: Andrea Franzoni - Rivolta contro il mondo moderno di Julius Evola (Revolt Against the Modern World by Julius Evola, original Italian edition published in 1934)

X - Ruota di Fortuna/Wheel of Fortune: Paolo Mattioli - Edipo Re di Sofocle (Edipo King of Sofocle, by Paolo Mattioli, Italy)

XI - Forza/Strength: Martino Barbieri - Shitao di François Cheng (Shitao - The Taste of the World, a book of art by François Cheng, 1642-1707)

XII - Appeso/Hanged One: Giovanni Pelosini - (Pinocchio by Carlo Collodi, 1883, Italy)

XIII - Morte/Death: Monia Perulli - Il Corvo di Edgar Allan Poe (The Raven by Edgar Allan Poe, 1845, U.S.)

XIV - Temperanza/Temperance: Adua Castellucci - Catalogo di Victor Brauner (Catalog by Victor Brauner, a Surreal artist born in 1903, Romania)

XV - Diavolo/Devil: Maria Distefano - Moby Dick di Melville (Moby Dick by Herman Melville, 1851, U.S.)

XVI - Torre/Tower: Giuliana Cusino - Molto forte, incredibilmente vicino di Jonathan Safran Foer (Very Strong, Incredibly Close, a novel about 9/11 by Jonathan S. Foer, U.S.)

XVII - Stelle/Stars: Octavia Monaco - Lo specchio e l'ombra di Giuseppe Barbieri (The Mirror and the Shadow by Giuseppe Barbers, Italy)

XVIII - Luna/Moon: Rita Frazzoni - Favole italiane di Italo Calvino (Italian Fairy Tales by Italo Calvino, Italy)

XIX - Sole/Sun: Silvia Tagliaferri - Sotto il sole giaguaro di Italo Calvino (Under the Jaguar Sun by Italo Calvino, published posthumously in 1986)

XX - Giudizio/Judgement: Giovanni Monti - Il deserto dei Tartari di Buzzati (The Tartar Steppe by Dino Buzzati, Italy, 1945. It was made into a film in 1976 called, The Desert of the Tartars)

XXI - Mondo/World: Ornella Lamberti - L'amore ai tempi del colera di Marquez (Love in the Time of Cholera by Gabriel García Márquez, 1985, Spain)

www.museodeitarocchi.it/466.htm


postato da: museodei alle ore 09:37 | Permalink | commenti
categoria:tarot decks of museo dei tarocch
venerdì, 27 marzo 2009

Viraaj is all of ten years old and the youngest in this project. He has been learning tarot. A student of standard five he loves everything magical and Tarot tops the list. According to him it is very interesting and easy to use. He has learnt how to meditate on it through the help of his mother and in his words, "Since then everyday is like living in a fairyland where there is only fun and happiness all around me. I think all schools must introduce Tarot to children with a little story for each card."

Literatarot Asia mehtaThis Fool card depicts Tenali Raman - also called The King of Fools and is a character known from the classical literature Tenali Raman's Panch Kavyas. Tenali Raman was a Jester in the court of Krishnadeva Raja of the Vijaynagar kingdom. Tenali was a very clever and witty person who explained deep philosophies and solutions to problems in a very unique and funny way.

In one story a senior courtier retires from the court and this makes the kind very upset so that he too stops coming to the court. Observing this Tenali also stopped coming to the court and disappeared. Out of restlessness the king went to the bank of a river to enjoy the freshness of the water and he appreciated it so much that he came there repeatedly for three days. A sage who was watching him all these days came and asked the king why he was unhappy. The king relied the retirement of his courtiers was his concern. To this the sage said that everyday the king appreciated the flowing water whereas each day the water he had seen before had flowed away to be replaced by new, yet gave rise to the same feelings as the previous water. So the king realized that it is not the water which is beautiful but the beauty lies in the fact that the river keeps flowing, yet retains its freshness and clearness. Similarly those who retire from his court have not really gone. The coming and going of people in our lives is a natural, continuous process. But, their departure does not stop life as many new people fit into their shoes. The king was finally happy but happier to know that it was Tenali who was disguised as the sage. The card shows Tenali Raman with his feathered cap and gives the message that people in our life may come and go but the Fool will always remain happy.

From Literatarot Asia

 
postato da: museodei alle ore 13:02 | Permalink | commenti
categoria:00 - fool
domenica, 22 marzo 2009
An esoteric fable illustrated by Giovanni Pelosini-Santini Del Prete
22 Major Arcana

This is a deck of Tarot made by two international perfomers I Santini Del Prete, who inspired by the scholar Giovanni Pelosini created twenty-two "photopoems" dedicated to tarot. These images use the  "masks" of the performers in unusual rail travel in the world of symbols, to interpret and represent the birth and death, power and loneliness, insecurity and friendship, wisdom and strength, temperance and faith, and all sorts of eternal transformation that the world is subject. Pelosini-Santini del Prete
Grazia Mirti, renowned scholar of astrological symbols, called it the most original deck of tarot cards she has ever seen.
The deck is produced by Hermatena-Museum of the Tarot, in limited edition of 500 copies, each of which is enhanced by the signatures of the artists and the same Giovanni Pelosini.
The works comply with the Golden Proportion and evoke the ancient traditions and esoteric studies of Pacioli and Leonardo. Each of twenty-two "photopoems" has details from atavistic allegorical meanings, enriched by nine hendecasyllables in rhyme and Dantes's language in numerological key : verses that can be read in cyclic sequence, starting from any Arcana, with rhymes that overlap like waves of Sea, verses concealing dark acrostic and other mysteries that we leave to discover at the curious minds that will be delighted to do so.
www.museodeitarocchi.net/Carte135.htm
postato da: museodei alle ore 10:33 | Permalink | commenti
categoria:tarot decks of museo dei tarocch
venerdì, 20 marzo 2009
Museo dei Tarocchi
Whatever lied concealed has been existing and living with a persistent zeal. The Museum of Tarots assumes responsibility in giving visibility to the symbol which lodged inside the Arcana, so that everybody can admire their splendour in the sphere of the new millennium. 
postato da: museodei alle ore 17:33 | Permalink | commenti
categoria:news from the museum